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border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cstrong\u003e第46屆威尼斯影展最佳影片金獅獎\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e身為台灣人，一生必看的電影\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e劇照 \/ 震撼人心的經典場面，串起全片故事脈絡與內容情節\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e側記 \/ 以十三問借疑發揮，說明電影源起、編排、拍攝過程\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e分場 \/ 保存導演構思過程的來龍去脈，提供編劇思路的線索\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e劇本 \/ 可讀性高的小說式劇本，展現吳念真對白的特有魅力\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e《悲情城市》捨精緻的剪法，而用大塊大塊的剪接，不剪節奏的流暢，而是大塊畫面裡氣味與氣味的準確連結。一部電影的主題，最終其實就是一部電影的全部氣味。 ——侯孝賢\u003cbr\u003e\u003cbr\u003e侯孝賢沒想透過《悲情城市》寫歷史政論，他曾經掛在嘴上的「拍出天意」，其實更接近一幅秀拉的點畫法畫作：似是，卻又不盡然都似，水彩或粉彩、油彩或墨色，都只能是貼近真實的若有所悟，距離與意象給了《悲情城市》一個特殊位子與角度，重新觀看那個時代。\u003cbr\u003e——國家電影及視聽文化中心董事長 藍祖蔚\u003cbr\u003e\u003cbr\u003e一九四五年八月十五日，日本天皇廣播宣布無條件投降。嗓音沙啞的廣播在台灣本島偷偷流傳開來。\u003cbr\u003e大哥林文雄外面的女人為他生下一個兒子時，基隆市整個晚上停電，燭光中人影幢幢，女人壯烈產下一子……\u003cbr\u003e雨霧裡都是煤煙的港口，悲情城市。\u003cbr\u003e——朱天文 劇本分場．序場\u003cbr\u003e\u003cbr\u003e九份秋深，滿山芒花，白茫茫的一片，像雪。\u003cbr\u003e畫面的最後是阿公歪睡在他專用的藤椅中，秋陽已斜，一頭亂髮剎那間被渲染出一輪金黃的光華來。淡出。\u003cbr\u003e字幕：一九四九年十二月，大陸易守，國民政府遷台，定臨時首都於台北。\u003cbr\u003e——吳念真 劇本．91場\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e電影海報書衣：設計師陳世川\u003cbr\u003e經典電影劇照：劇照師陳少維\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e產品目錄\u003c\/strong\u003e\u003cbr\u003e推薦序 悲情點畫法 藍祖蔚\u003cbr\u003e序 朱天文\u003cbr\u003e悲情城市十三問 朱天文\u003cbr\u003e分場 朱天文\u003cbr\u003e劇本 吳念真\u003cbr\u003e後記 朱天文\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e作者介紹\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e朱天文、吳念真\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e朱天文\u003cbr\u003e一九五六年生於高雄鳳山，十六歲發表第一篇小說，曾獲《聯合報》小說獎、《中國時報》文學獎短篇小說優等。撰寫侯孝賢的電影劇本十六部，三度獲得金馬獎最佳改編劇本及最佳原著劇本。一九九四年以《荒人手記》獲時報百萬長篇小說獎首獎，英譯本獲《紐約時報》推薦「值得注目的書」、《洛杉磯時報》「年度佳書」。二○○八年《巫言》獲「世界華文長篇小說紅樓夢獎—決審團獎」。二○一五年獲「美國紐曼華語文學獎」。二○一八年獲「21大學生世界華語文學盛典」致敬人物。二○二○年執導完成紀錄片《願未央》。著有《傳說》、《淡江記》、《炎夏之都》、《世紀末的華麗》、《黃金盟誓之書》、《最好的時光》等。\u003cbr\u003e\u003cbr\u003e吳念真\u003cbr\u003e一九五二年生於台北瑞芳的礦工家庭。半工半讀完成高中及大學夜間部課程。七○年代初期開始發表小說，曾獲《聯合報》及吳濁流文學獎。從一九七九年開始電影劇本寫作至今，為當前台灣重要的創作者之一。著有《抓住一個春天》、《邊秋一雁聲》、《特別的一天》、《台灣念真情》、《八歲一個人去旅行》、《這些人，那些事》、《念念時光真味》等。\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"遠流","offers":[{"title":"平裝書 Paperback","offer_id":43777950056675,"sku":"L3N-DTRYLTW-9789573299615","price":92.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/72a7ece923621debf333e6168657ff69.webp?v=1734669467"},{"product_id":"avatar-the-way-of-water-the-visual-dictionary","title":"Avatar The Way of Water The Visual Dictionary","description":"By: Joshua Izzo, Zachary Berger, Dylan Cole, Reymundo Perez, Ben Procter   | Series: Avatar \u003chr\u003e\u003cp\u003e\u003cb\u003eDive into the depths of \u003ci\u003eAvatar: The Way of Water\u003c\/i\u003e with this definitive guide. \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eCreated in close collaboration with James Cameron's Lightstorm Entertainment and written by experts who worked on the film, this authoritative book is packed with stunning exclusive details. This must-have visual guide showcases the characters, creatures, vehicles, weapons, and locations from the latest adventure in Pandora.\u003cbr\u003e\u003cbr\u003eMeet the next generation of Jake Sully and Neytiri's family, including the mysterious Kiri and the heroic Neteyam, and their brave new allies among the Metkayina clan. Discover the majestic tulkun, speedy skimwings, and the other fauna and flora of Pandora's oceans. Examine the latest fearsome RDA vehicles and the specialist recom troops under Colonel Quaritch's command. Uncover the inner-workings of Bridehead City and the sacred Cove of the Ancestors.\u003cbr\u003e\u003cbr\u003eWith a foreword by Sigourney Weaver,\u003ci\u003e Avatar: The Way of Water: The Visual Dictionary \u003c\/i\u003eis the perfect gift for \u003ci\u003eAvatar\u003c\/i\u003e fans of all ages.\u003cbr\u003e\u003cbr\u003e© 2022 20th Century Studios.\u003c\/p\u003e","brand":"DK","offers":[{"title":"GB - Hardback","offer_id":43831248355555,"sku":"DTRDKUK-9780241401118","price":225.0,"currency_code":"HKD","in_stock":false},{"title":"US - Hardback","offer_id":44791344365795,"sku":"DTRDKUS-9780744028706","price":196.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/AvatarTheWayofWaterTheVisualDictionary.webp?v=1761043278"},{"product_id":"5-35","title":"5月35日: 創作．記憶．抗爭 (香港舞台劇獎 最佳劇本)","description":"\u003cp\u003e作者: 六四舞台\u003c\/p\u003e\n\u003cdiv class=\"hr\"\u003e\n\u003chr data-mce-style=\"margin-top: 0em;\" color=\"grey\"\u003e\n\u003cul\u003e\n\u003cli\u003e曾獲「第29屆香港舞台劇獎」五大獎項：最佳劇本、最佳製作、最佳導演（悲劇／正劇）、最佳燈光設計和年度優秀創作。\u003c\/li\u003e\n\u003cli\u003e由日本劇作家石原燃翻譯的《5月35日》，獲「小田島雄志．翻譯劇本獎」。\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e兩個等待死亡的老人，兒子三十年前死於不自然，卻在強權高壓下無力反抗苟活偷生。\u003cbr\u003e以前顧著生存不去抗爭，現在死亡也要來了，還有甚麼好怕的？\u003cbr\u003e於是，他們決定在5月35日當天堂堂正正去那個染血的廣場拜祭兒子。\u003cbr\u003e在不正常國家的陽光底下，做正常的事也是不合法。\u003cbr\u003e\u003cbr\u003e劇本喚起的，與其說是三十三年前那個夏天無可挽回的悲劇，不如說，更是這三十三年來日日上演的，噤聲、低頭、忍辱的悲劇；與其說是「六四」的悲劇，不如說是「5月35日」的悲劇；與其說是抗爭的悲劇，不如說是失去哀悼權利的悲劇；與其說是死難者的悲劇，不如說是苟活者如何度過餘生的悲劇。\u003cbr\u003e—— 鴻鴻（臺灣著名劇場、電影導演）\u003cbr\u003e\u003cbr\u003e「八九六四，五三十五，見證時代，永世不忘。謊言與禁忌，終究遮掩不了歷史與真相。」\u003cbr\u003e——于善祿（國立臺北藝術大學戲劇學系助理教授）\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e本書除收錄書寫八九六四的得獎劇本《5月35日》外，更記錄了劇作的創作歷程及相關評論，透過這齣「六四舞台」最後在香港公開演出的劇目，映照香港人如何以創造力和生命力，在艱難的路上堅持追尋公義。\u003cbr\u003e\u003cbr\u003e《5月35日》曾獲「第29屆香港舞台劇獎」五大獎項：最佳劇本、最佳製作、最佳導演（悲劇／正劇）、最佳燈光設計和年度優秀創作。\u003cbr\u003e由日本劇作家石原燃翻譯的《5月35日》，獲「小田島雄志．翻譯劇本獎」。\u003cbr\u003e\u003cbr\u003e本書收錄粵語、國語、英語三語劇本，讓爭取民主自由的風箏飛得更遠。\u003cbr\u003e\u003cbr\u003e相約在5月35日，來個光明正大的紀念\u003cbr\u003e當現實荒謬，劇場卻讓人恢復正常\u003cbr\u003e\u003cbr\u003e「草芥被擠壓到粉身碎骨前，迸發的勇敢與良善情操。」——鴻鴻\u003cbr\u003e「他們的故事，也就是我們的故事。『不想回憶，未敢忘記』，是我們自身命運的呼喊。」——羅永生\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e目錄\u003cbr\u003e推薦序一：保持憤怒，堅持想像——王超華\u003cbr\u003e推薦序二：他們的故事，也就是我們的故事——羅永生\u003cbr\u003e推薦序三：劇場震怒之日──讀《5月35日》——鴻鴻\u003cbr\u003e出版序：六四舞台在恐懼中擇善固執——列明慧\u003cbr\u003e創作．記憶．抗爭時間表\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e第一章：報道．原初的抗爭意志\u003cbr\u003e\u003cbr\u003e2019年\u003cbr\u003e六四的三十年經緯軸——鄭美姿\u003cbr\u003e六四舞台莊梅岩：我們不能不做，香港人不會習慣那種沒自由的生活方式——陳喜艾\u003cbr\u003e甚麼人訪問甚麼人：用二十年尋找一對亡魂的眼睛——譚蕙芸\u003cbr\u003e\u003cbr\u003e2020年\u003cbr\u003e《5月35日》編劇莊梅岩：我們堅持良知和真相——馮曉彤\u003cbr\u003e\u003cbr\u003e2021年\u003cbr\u003e「六四舞台」12年來首次網上直播讀劇會：劇本創作合法 勿自設限制——陳詠恩\u003cbr\u003e\u003cbr\u003e2022年\u003cbr\u003e消失的六四記憶 「六四舞台」列明慧：透過舞台劇說香港的故事——陳子非\u003cbr\u003e\u003cbr\u003e第二章：三語劇本．向世界吶喊\u003cbr\u003e\u003cbr\u003e粵語劇本\u003cbr\u003e國語劇本\u003cbr\u003e英語劇本\u003cbr\u003e\u003cbr\u003e第三章：評論．暢所欲言的自由\u003cbr\u003e\u003cbr\u003e首映原版\u003cbr\u003e5月35日——李怡\u003cbr\u003e5月35日——吳志森\u003cbr\u003e母親最後不再沉默——鄧正健\u003cbr\u003e《5月35日》優異的六四劇——石琪\u003cbr\u003eWe Cannot Forget June Fourth——Andrew J. Nathan\u003cbr\u003eThe Power of Theatre——Bruce Long\u003cbr\u003eMay 35th——Joe Frost\u003cbr\u003e\u003cbr\u003e庚子版\u003cbr\u003e6月3日響起榮光 兩年《5月35日》觀後感——Pianda\u003cbr\u003e5月35日【庚子版】從苟活到救贖．從當年到當下——安徒\u003cbr\u003e\u003cbr\u003e附錄\u003cbr\u003e\u003cbr\u003e六四舞台簡介\u003cbr\u003e創作歷程細表\u003cbr\u003e首演及庚子版製作人員名單\u003c\/p\u003e\n\u003cp\u003e作者介紹\u003cbr\u003e六四舞台\u003cbr\u003e於二○○九年成立，以藝術表演形式，介紹八九民運及「六四」事件的香港前非牟利註冊藝術劇團。曾創作劇目包括《在廣場放一朶小白花》、《讓黃雀飛》、《王丹》、《傷城記》、《5月35日》等，以期喚起人們，特別是年輕一代，對香港及中國民主發展的關注。二○二○年《港區國安法》通過，在失去「免於恐懼的自由」下，「六四舞台」於二○二一年自行解散。\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"一八四一","offers":[{"title":"平裝書 Paperback","offer_id":43868882993379,"sku":"L3N-DTRBRTW-9786269737215","price":120.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/535.webp?v=1734700827"},{"product_id":"a-sky-longing-for-memories-the-art-of-makoto-shinkai","title":"A Sky Longing for Memories","description":"By: Makoto Shinkai     \u003chr\u003e\u003cb\u003e\u003ci\u003eA Sky Longing for Memories\u003c\/i\u003e\u003c\/b\u003e is a Makoto Shinkai fan's dream! Featuring art created by the beloved director, this full-color art book is packed with art from the many movies he directed for Studio CoMix Wave. The book is a 175 page LANDSCAPE FORMAT softcover, the majority of which are images, a rare treat in the realm of fanbooks. Inside you will find hundreds of backgrounds from from his award-winning works: \u003ci\u003e5 Centimeters per Second\u003c\/i\u003e, \u003ci\u003eThe Place Promised in Our Early Days\u003c\/i\u003e, \u003ci\u003eVoices of a Distant Star\u003c\/i\u003e, and a TV advertisement for the \u003ci\u003eMainichi Newspaper\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003eIn addition to the backgrounds, there is a section about the software and technique behind CoMix Wave's animation, which discuss the key features of the software the studio has developed to use at various stages of production. The English edition also comes with a lengthy interview with Mr. Shinkai and other key members of his studio.","brand":"PRHUS","offers":[{"title":"US - Paperback \/ softback","offer_id":43890970558691,"sku":"DTRPRUS-9781941220436","price":224.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/ASkyLongingforMemories1.webp?v=1761051883"},{"product_id":"hk-writer-joyce-chan-screenplay-bundle","title":"形影・動 上下篇 陳韻文電影劇本選輯 (2冊合售)","description":"\u003cp\u003e主編：傅慧儀\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"hr\"\u003e\n\u003chr style=\"margin-top: 0em;\" color=\"grey\" data-mce-style=\"margin-top: 0em;\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e編劇陳韻文（Joyce Chan）是「新浪潮」時代影劇界的奇葩，曾跟多位新浪導演合作。她擅長處理複雜的人脈線索、生活際遇，撰寫多部作品都經得起時間考驗，觸動到不同世代的觀眾。她編劇的作品構思細密、調度破格，無論懸疑、女性劇、處境劇都盡見她敏銳的時代觸覺，寫人寫景都有血有肉。\u003c\/p\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003c\/p\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003eJoyce編寫的對白充滿曖昧性，往往巧妙地問非所答、貌合神離、顧左右而言他，令角色與角色之間的愛恨、糾纏，像慢火炆炖一般溶進故事裏發展。角色的配搭亦變化萬千，不教條亦不重複。總之各有前因、人細鬼大、膽大心細、各懷鬼胎，看她的劇本可以說是妙趣縱橫，戲貫字裏行間。\u003c\/p\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003e此外，Joyce打從少女年代已非常國際化，初入行寫劇本，便狂讀外國劇本和外國電視劇集的對白本，不放過任何尋覓靈感的門路。很多人在寫角色之間的矛盾時喜歡「起承轉合」的結構，而她可以一開頭就「合」。看懸疑錯縱的《瘋劫》就可以看到她這方面巧妙的鋪排，劇情透過「時序錯置」的技巧，正好配合希治閣的三個「S」，即懸念（Suspense）、驚訝（Surprise）、釋疑（Solution），再慢慢以懸念去建構，令劇情更有層次和具追看性。\u003c\/p\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e \u003c\/p\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cstrong\u003e上篇: 收錄了譚家明導演的一集《群星譜》、兩集《CID》、兩集《七女性》；許鞍華導演的一集《北斗星》、兩集《ICAC》和嚴浩導演的一集《ICAC》，合共九個電視劇本。所以，本書的劇本除了具有很高的閱讀價值外，也是香港電視、電影史上的珍貴資料。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003e\u003cstrong\u003e下篇: 收錄了許鞍華導演的《瘋劫》、《撞到正》及區丁平導演的《南京的基督》共三部電影的劇本，都是香港電影史上的重要作品，熱愛香港電影的觀眾皆值得一讀。\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e編劇簡介\u003c\/p\u003e\n\u003cp style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\" data-mce-fragment=\"1\" data-mce-style=\"background-color: transparent; border: 0px; font-size: 15px; margin: 0px; outline: 0px; padding: 0px; width: auto !important; caret-color: #333333; color: #333333; font-family: 'Noto Sans TC', sans-serif; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e陳韻文，編劇及小說作者，香港出生及受敎育、曾遊學歐美，為美國愛荷華大學國際寫作計劃駐校作家、並任電台DJ，為電台、電視、電影編寫劇本六百餘套，包括《屋簷下》、《獅子山下》、《家變》、《相見好》、《香江歲月》、《瘋劫》及《撞到正》等不勝枚舉，著有《終與始》、《南京的基督》，《滴血不留》（又名放血）、《韻文集》及《小心》等。現定居加拿大。\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"正文社 \/ 一二一二","offers":[{"title":"平裝書 Paperback","offer_id":43932846522595,"sku":"L3N-DTRRMHK","price":311.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/s_ff6273d8-c257-4006-8002-3cdd6ac4d33c.webp?v=1734721570"},{"product_id":"bresson-on-bresson-interviews-1943-1983","title":"Bresson on Bresson: Interviews, 1943-1983","description":"By: Robert Bresson     \u003chr\u003e\u003cb\u003eNow in paperback, a collection of interviews with a French cinematic titan—covering subjects such as adaptation, the effects of capitalism on art, and the importance of intuition—selected from a period of four decades.\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eRobert Bresson, the director of such cinematic masterpieces as \u003ci\u003ePickpocket\u003c\/i\u003e, \u003ci\u003eA Man Escaped\u003c\/i\u003e, \u003ci\u003eMouchette\u003c\/i\u003e, and \u003ci\u003eL’Argent\u003c\/i\u003e, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and CinemaScope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eBresson on Bresson\u003c\/i\u003e collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work.\u003cbr\u003e\u003cbr\u003eSuccessive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the soundtrack, and to Bresson’s one book, the great aphoristic treatise \u003ci\u003eNotes on the Cinematograph\u003c\/i\u003e. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” \u003cbr\u003e\u003cbr\u003eBresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”","brand":"PRHUS","offers":[{"title":"US - Paperback \/ softback","offer_id":43984903504099,"sku":"DTRPRUS-9781681377803","price":128.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/9781681377803.webp?v=1761057610"},{"product_id":"amy-winehouse-in-her-words","title":"Amy Winehouse","description":"By: Amy Winehouse     \u003chr\u003e\u003cp\u003e\u003cem\u003eThe Estate of Amy Winehouse will donate 100% of the advance and royalties it receives from the production and sale of this book to The Amy Winehouse Foundation. These funds will help assist the charity in continuing their vital work helping thousands of young people to feel supported in managing their emotional wellbeing and making informed life choices.*\u003c\/em\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eGlobal icon\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSix-time Grammy winner\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHeadline-maker\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe most talented recording artist of her generation\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMuch has been said about Amy Winehouse since her tragic death aged at age 27. But who was the real Amy?\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eAmy Winehouse: In Her Words\u003c\/em\u003e shines a spotlight on her incredible writing talent, her wit, her charm and lust for life. Bringing together Amy’s own never-before-seen journals, handwritten lyrics and family photographs together for the first time, this intimate tribute traces her creative evolution from growing up in North London to global superstardom, and provides a rare insight into the girl who became a legend.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e* The Estate of Amy Winehouse will donate 100% of the advance and royalties it receives (net of agency fees charged) from the production and sale of this book to The Amy Winehouse Foundation (registered charity number\u003cu\u003e1143740\u003c\/u\u003e). The minimum donation will be £70,000. Initiatives include Amy’s Place, which provides addiction recovery housing for young women; resilience-building programs in schools and music therapy programs supporting children with special educational needs and life-limiting conditions. More information can be found at \u003c\/em\u003e\u003cem\u003ehttps:\/\/amywinehousefoundation.org\u003c\/em\u003e\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e","brand":"Harpercollins US","offers":[{"title":"US - Hardback","offer_id":43989946663139,"sku":"DTRHCUS-9780063305410","price":218.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/AmyWinehouseInHerWords.jpg?v=1734738967"},{"product_id":"marvel-studios-the-marvel-cinematic-universe-an-official-timeline-anthony-breznican","title":"Marvel Studios The Marvel Cinematic Universe An Official Timeline","description":"By: Anthony Breznican, Amy Ratcliffe, Rebecca Theodore-Vachon   | Series: Marvel \u003chr\u003e\u003cp\u003e\u003cb\u003eBecome a master of the Marvel Cinematic Universe!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eThe Marvel Cinematic Universe (MCU) is vast, incredibly varied, and richly complex. Different worlds, different timelines, countless characters. This is the guide to that universe. Created in close collaboration with Marvel Studios, it will frame the MCU's biggest events: what happened, when, and where. \u003cbr\u003e\u003cbr\u003eFollow the entire story of the MCU from before the Big Bang to the Blip and beyond. Along the way, learn more about the evolution of the Iron Man armors, the hunt for the Infinity Stones, and the formation of The Multiverse. Want to know how many times aliens have invaded Earth, or the complete history of Cap's shield? Look no further!\u003cbr\u003e\u003cbr\u003eA treasured keepsake for any movie buff, filled with exclusive infographics, illuminating timelines, and amazing movie stills, this book will have pride of place on any MCU fan's shelf.\u003cbr\u003e\u003cbr\u003e© 2023 MARVEL\u003c\/p\u003e","brand":"DK","offers":[{"title":"US - Hardback","offer_id":44021198291171,"sku":"DTRDKUS-9780744081671","price":326.0,"currency_code":"HKD","in_stock":true},{"title":"GB - Hardback","offer_id":44058507116771,"sku":"DTRDKUK-9780241543825","price":315.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/MarvelStudiosTheMarvelCinematicUniverseAnOfficialTimeline_1_d4b8cc53-bdc5-4849-b2f2-ee12bbe3297e.webp?v=1761058598"},{"product_id":"product-1564","title":"《人選之人-造浪者》原創劇本書（附編劇、導演、製作人、演員創作思考）","description":"\u003cp\u003e作者：簡莉穎 \/ 厭世姬\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e       在席捲全國的總統大選之中，白熱化的唇槍舌戰和漫天飛舞的旗幟文宣背後，有一群隱身暗處的黨工，他們在一波波眾聲喧嘩之中奮力創造舞台與燈火，把握住無法預測的機會，讓候選人站上浪尖，迎向高峰。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　率領眾人呼喊競選口號的文宣部副主任翁文方，是前次選舉失利的前議員，在一場場造勢活動中重新摸索從政的意義和目標。在大眾眼光看不到的黨部中，身懷祕密的底層幕僚張亞靜苦惱該如何奪回自己的過去。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　她們奮力掀動浪潮，但也被隨之而來的困頓、反動推著往前走，自己與周遭眾人感受到的人生迷惘、家庭困境和大環境弊病讓她們浮浮沉沉，但在時機到來之前，她們不曾想到，自己竟然會成為掀起巨大浪潮撼動社會的幕後推手，而這一個轉機，也讓她們長久追尋的問題得到答案……\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　《我們與惡的距離》《茶金》導演林君陽、《與惡》《做工的人》製作人林昱伶金獎團隊\u003c\/div\u003e\n\u003cdiv\u003e　　謝盈萱、王淨、黃健瑋、戴立忍、陳姸霏、賴佩霞精湛共演\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　《人選之人造浪者》引起的反響與討論，如同大浪一樣，難以預料但有跡可循。特出的主題、自然的台詞、動人的情節，是編劇簡莉穎和厭世姬以切身經驗與關注，找出看似破天荒卻又能勾動觀眾的主題，再以蒐集大量背景資料的基本功與字斟句酌的細膩鋪排，才能創作出來。而當劇本成形，又需倚靠導演巧手調度影像畫面、場景氣氛與動態縱深，加上演員精準捕捉台詞、表情與舉手投足的纖細張力，更得有製片精心規畫資源配置與播映機會，這齣劇才終於得以問世。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e　　▲主創團隊第一手訪談\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e　　● 編劇：主題設定、寫作方法論、田調工夫\u003c\/div\u003e\n\u003cdiv\u003e　　● 導演：平面文字轉換為立體影像的所有細節建構\u003c\/div\u003e\n\u003cdiv\u003e　　● 製作人：讓「台灣史上第一次」的題材得以成形\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e　　▲劇中角色介紹與功能定位剖析\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e　　● 演員深入訪談：謝盈萱、王淨、賴佩霞與角色的相遇、揣摩與化學變化\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e　　▲全劇定案劇本＋窺探幕後的刪節、修改、設定內容\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e　　▲導演筆記、側拍照片、精美劇照蒐羅\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　在劇情一波波浪潮背後，整齣戲劇化生的每個階段，主創團隊都有各自的規劃與期待。正因各環節緊密配合，情節起伏才能緊抓住觀眾的心，甚至創造出團隊預期之外的支持能量。在全八集劇本與深入訪談中，這些精心思慮一覽無遺。\u003c\/div\u003e\n\u003cdiv\u003e　　\u003c\/div\u003e\n\u003cdiv\u003e　　「我們的工作就是創造一個不存在的世界，掌握寫實的世界觀，也要放入戲劇性的事件，讓人信以為真，投入其中，產生共鳴。」──編劇‧簡莉穎\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　「沒有這樣理想化的角色，我們很難想像社會中發生類似的事件可以如何被好好處理。當我們提供了一個role model，社會有一個藍圖，可以讓人指認『我想去那裡。』」──編劇‧厭世姬\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　「表演就是每天都在面對自己跟角色的拉扯。」──演員‧謝盈萱\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　「劇本本身都有它的 DNA，但故事是『長』出來的。我們順著劇本走，決定演員，選擇場景，找到說的方式，這些都是變因，然後故事才會長成它的樣子。」──導演‧林君陽\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　「他們的故事不會有『強設定』，不會為了往哪去就突然轉個彎，而是人物遇到什麼事，該做什麼決定，一直都順著往下，非常自然。」──製作人‧林昱伶\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\u003ca name=\"AuthorP00a400020009\"\u003e \u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv\u003e\u003cstrong\u003e作者\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e簡莉穎\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　彰化員林人，劇場、影視工作者，文化戲劇系、台北藝術大學劇場藝術研究所劇本創作組，劇場編導演作品三十多齣，現任大慕影藝、大慕可可內容總監。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　著有劇場劇本集《春眠》、《服妖之鑑》、《叛徒馬密可能的回憶錄》，漫畫作品原作《直到夜色溫柔》。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e厭世姬\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e    本名彭維昭，七年級生，台大外文系畢業，斜槓工作者。做過很多工作，包含保險業務員、出版社編輯、政治幕僚、Podcast主持人，參與過多次大型選戰。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　2016年開設「厭世動物園」圖文粉絲專頁，開始網路圖文創作之路，現有超過23萬網友追蹤。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　後來因緣際會成為影視編劇。著有圖文書《厭世動物園：天天都有ㄐㄅ事，天天都厭世~【#各種眼神死ㄉ動物故事】》（時報出版）、散文集《厭世女兒：你難道會不愛媽媽？》（大塊出版）。主持Podcast節目《按下任意鍵》、《人間動物園》。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e製作者\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e企劃／大慕影藝國際事業股份有限公司\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e    大慕影藝國際事業股份有限公司成立於2013年7月，專注於電影、電視劇專案開發與投資製作，及藝人經紀的發展。憑藉精準市場眼光，歷年投資製作作品皆有極佳評價，包括電影《紅衣小女孩系列》、《女鬼橋》、電視劇《麻醉風暴2》，短片《愛在世界末日》。2018年首度跨足製作，作品包括社會寫實劇《我們與惡的距離》、工地題材《做工的人》、《做工的人 電影版》，以及政治幕僚職人劇《人選之人－造浪者》，皆創下口碑佳績。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e企劃／財團法人公共電視文化事業基金會\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e    公共電視為一個真正以民為尊的電視台，也是台灣少數以財團法人組織經營、非商業的無線電視台。在沒有商業色彩與政治干預下，提供廣泛類型的節目，呈現豐富多元又富有創造力的台灣社會。公共電視深耕戲劇品牌如公視人生劇展、學生劇展、新創電影、新創短片等，製作優良戲劇、開發劇本、參與藝術、議題電影、VR與國際合製，期許成為台灣影視創作重要的產出平台。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e採訪撰文／張婉兒、張硯拓、張慧慧\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e張婉兒\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　國立政治大學法律學系、傳播所畢業，主修電影電視劇本創作。2023金馬電影學院學員、鏡文學簽約小說作者、台灣影評人協會成員，影評與採訪文章散見於各媒體與個人網站【尋影者CINE｜CARI】。曾任職於影音平台，現專職編劇，以作品《疫島沒有明天》、《一渺流年》、《日出之前》入圍優良電影劇本獎。期待寫出洗鍊又有溫度的文字。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e張硯拓\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　影評人、《釀電影》主編，曾任金馬獎、香港電影節費比西獎、女性影展、高雄電影節評審。出版散文集《剛剛好的時光》，文章散見《大誌》、《BIOS monthly》、《新活水》、《500輯》、《聯合文學》等線上與紙本媒體。有點太寵兩隻貓。\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e張慧慧\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e　　文字工作者\u003c\/div\u003e\n\u003c\/div\u003e","brand":"大家","offers":[{"title":"平裝書 Paperback","offer_id":44086832726243,"sku":"L3N-DTRBRTW-9786267283462","price":146.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1778\/4925\/files\/29964557dcdb4fe881c45d186d1e45ab.webp?v=1734749253"},{"product_id":"once-upon-a-time-in-hollywood-chinese-edition","title":"從前從前，有個好萊塢【鬼才導演昆汀．塔倫提諾第一部小說，空降《紐約時報》暢銷榜Top1】","description":"\u003cp\u003e作者： 昆汀・塔倫提諾 ( Quentin Tarantino) | 譯者： 汪冠岐\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e鬼才導演昆汀．塔倫提諾\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e寫給好萊塢電影的一封「昆汀式」情書。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e更多角色背景故事、更多額外場景，完整表現對電影的龐大知識與熱愛！\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e細數好萊塢黃金年代的精彩瑣事，致敬在電影娛樂聖堂沉浮的美麗人們。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e金球獎最佳電影《從前，有個好萊塢》同名小說！\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e一樁以童話故事包裝的駭人血案，\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e100%昆汀風格的「導演加長版」紙上劇場。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e鬼才導演昆汀．塔倫提諾\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e寫給好萊塢電影的一封「昆汀式」情書。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e更多角色背景故事、更多額外場景，完整表現對電影的龐大知識與熱愛！\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e細數好萊塢黃金年代的精彩瑣事，致敬在電影娛樂聖堂沉浮的美麗人們。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎出版前即授權22國語言版本，至今賣出31國版權\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎《紐約時報》暢銷紙本和電子書總合#1，佔據暢銷榜十二週\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎美國獨立書商協會暢銷小說#1\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎美國亞馬遜暢銷小說#1\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎《今日美國》暢銷小說\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎英國亞馬遜暢銷小說\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎英國《泰晤士報》暢銷小說\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎英國《愛爾蘭時報》暢銷小說\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◎德國《明鏡周刊》暢銷小說\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e「閱讀時，如果想像電影版的卡司搬演小說情節，也能獲得立體紮實的閱讀經驗，更加吸引讀者對照電影和小說。但這本小說也自成一部文學作品，就算沒有電影，依舊能以自身敏銳的眼光和熱切的感染力擄獲讀者的心。」——《書單》（Booklist）\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e◆\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1960年代的好萊塢，\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e才華洋溢與危險張狂之人都來到這裡……\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e從嬉皮文化、曼森家族，到波蘭斯基家族血案，\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e透過虛實交錯的人物與事件，深入好萊塢的核心，\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e呈現電影無法展現的更多內幕故事。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e故事從1969年瞬息萬變的洛杉磯展開……\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e瑞克．達爾頓（李奧納多．狄卡皮歐 飾演），曾是黃金時段電視劇的主角，現在是用威士忌淹沒自己的過氣演員，淪為每週單元劇裡慘遭痛扁的萬年反派，但他仍積極尋求自己事業的第二春……\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e克里夫．布茲（布萊德．彼特 飾演），瑞克專屬的特技替身，二戰時的戰爭英雄，本是業界一流幕後人員，卻因殺妻傳聞被封殺，成為片場最聲名狼藉的人物。他與瑞克建立起舊時代的好萊塢兄弟情誼，職業生涯緊緊相扣。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e莎朗．蒂（瑪格．羅比 飾演），從德州前往好萊塢追求明星夢、也如願夢想成真的年輕女孩。她和導演羅曼．波蘭斯基結婚後，成為好萊塢的金童玉女……\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e查爾斯．曼森（戴蒙．賀里曼 飾演），帶著夢想前來洛杉磯，尋求一紙唱片合約……出獄後的他，打著愛與和平的旗幟，以片場作為傳教基地，成為一群嗑藥嬉皮的精神領袖。在他的操控下，「曼森家族」將為好萊塢帶來一連串的血腥暴力。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e【本書特色】\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. 在同樣的事件結構下，補充了大量歐美娛樂業歷史細節\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e＊例如特技演員圈俗稱的「打手」行當如何運作。同時還原當時流行文化氛圍，包括老式的美國B級電影、義大利式西部片、李小龍的武術、流行音樂、嬉皮文化等。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2.業界專業人士撰寫的影視拍攝現場終極紀實\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e＊關於選角、練習對白、化妝設定造型、導演說戲、對戲演員交流、開機拍攝等等皆有著墨，可說是一部瞭解影視業界的內幕小說。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3.詳細交代電影裡沒演出來的角色個人史及內心活動\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e＊例如克里夫的從軍經歷與退役後幾次「殺人卻逃過制裁」的事件，以及熱愛看電影的他對各種影片的褒貶評價；瑞克和小演員第一次見面時內心的各種吐槽，以及他從小就大量閱讀西部題材通俗平裝小說的細節。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4.以「昆汀式」手法，巧妙結合虛構人物與真實事件\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e＊文字版的黑色幽默＋殘酷暴力＋瑣碎但有趣的各種細節！讀者可以透過近五百個譯註，在進入昆汀虛構故事的同時，一併掌握好萊塢文化與歷史脈絡。​\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e作者簡介 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e昆汀．塔倫提諾\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e一九六三年出生於美國田納西州的諾克斯維爾。他是同輩影人中，最負盛名的導演之一，以鮮活豐沛的創造力、層層疊疊的多線敘事著稱。\u003cbr\u003e\u003cbr\u003e他於一九九二年初執導演筒，首部劇情長片《霸道橫行》（Reservoir Dogs）一鳴驚人。接著，他執導了《黑色追緝令》（Pulp Fiction），不僅參與編劇，也客串一腳。這部片不僅成為他最受歡迎的作品之一，也讓他拿下第一座奧斯卡最佳原著劇本獎。繼頗負盛名的犯罪喜劇《黑色終結令》（Jackie Brown）、復仇動作片《追殺比爾 1、2》（Kill Bill Vol.1, Vol.2），以及向 B 級片致敬的《不死殺陣》（Death Proof）之後，塔倫提諾接著推出二戰史詩巨作《惡棍特工》（Inglourious Basterds）、觸碰蓄奴問題的「南方」片《決殺令》（Django Unchained，拿下第二座奧斯卡最佳原創劇本獎），以及融合密閉空間槍戰與美國內戰歷史的西部片《八惡人》（The Hateful Eight）。\u003cbr\u003e\u003cbr\u003e塔倫提諾最新電影力作《從前，有個好萊塢》更榮獲五項金球獎提名，拿下最佳劇本、最佳男配角、音樂及喜劇類最佳影片三項大獎；提名十項英國影藝學院獎（BAFTAS），拿下最佳男配角；提名十項奧斯卡金像獎，榮獲最佳男配角、最佳美術設計獎。\u003cbr\u003e\u003cbr\u003e他至今編導了九部劇情長片，榮獲兩座奧斯卡最佳原創劇本獎。著有小說《從前從前，有個好萊塢》。《思索電影》（Cinema Speculation，暫譯）是他第一部非小說著作。\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e譯者\u003c\/span\u003e\u003cbr\u003e汪冠岐\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e 台大翻譯所畢業，譯作有《文案大師教你精準勸敗術》、《讀心：我們因此理解或誤判他人意圖的心智理論》；另有合譯作品《人物的解剖》、《暴力鬼才昆汀‧塔倫提諾》、《視覺系天才魏斯‧安德森》、《多面英雄凱因斯》。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\u003c\/div\u003e","brand":"漫遊者","offers":[{"title":"平裝書 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What horrifying front-page story generated the idea for \u003ci\u003eA Nightmare on Elm Street\u003c\/i\u003e? 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