跳到內容
描述
In the summer of 1984, the war in Vietnam comes home to Samantha Hughes, whose father was killed there before she was born. All she has is a picture of him as a young soldier, and as Sam begins to grapple with the challenges of her own adolescent years, she also finds herself confronting the desire and need to know more about her father and what happened to him and the other American soldiers who served in Vietnam.
Today’s students will relate to Sam and her desire to leave her small town for the bigger world versus the pull of a loving boyfriend and family. Her need to confront the controversies and horrors of war and its impact on soldiers and the families they leave behind makes In Country a meaningful book for the current generation of students. “A brilliant and moving book . . . a moral tale that entwines public history with private anguish.” -LosAngeles Times Book Review Freshman Common Book: Centenary College, University of South Carolina, UpstateBobbie
Ann Mason’s debut novel—"a brilliant and moving book... a moral tale
that entwines public history with private anguish." —Los Angeles Times Book Review
“How Ms. Mason conjures a vivid image of the
futility of war and its searing legacy of confusion out of the searching
questions or a naïve later generation is nothing short of masterful.” —Kansas
City Star
Samantha “Sam” Hughes is in her senior year of high school in rural
Kentucky. Her father, whom she never knew, was killed in Vietnam before she
was born. Sam lives with her uncle Emmett, a veteran who appears to be
suffering from exposure to Agent Orange. Amidst worrying about her uncle and
yearning to figure out who she is and learn about the father she never knew,
Sam develops feelings for Tom, one of Emmett's veteran buddies. Tom and
Emmett attempt to shield Sam from the truth of what they endured, but she has
become convinced that her life is bound to the war in Vietnam.
In Country is both a powerful and touching novel of America’s
ghosts and a beautiful portrayal of a family, not unlike many others, left
bruised and twisted by the war. At the time of its publication in 1985,
Richard Eder’s rave LA Times review concluded: “One of the questions
for post-war American literature, dealt with variously by Updike, Cheever,
Roth, Salinger and a host of others, is whether the larger capacities of the
human spirit can be exercised, so to speak, in a motel room equipped with
color TV and a drinks refrigerator. The answers vary; Mason has found her own
striking variety of ‘yes.’”
