描述
By: Kaie Kellough
Featured in the Publishers Weekly Spring 2026 Preview
From Kaie Kellough, poet, sound performer, and Griffin prize winner, comes a linguistic incursion into desire, technology, and the absurd.
Kaie Kellough (Magnetic Equator, Griffin Poetry Prize winner, 2020) returns with a long poem that repurposes the language of the present. Interposition borrows its vocabulary from the news, entertainment, war, advertising, technology, and the everyday tragedies of popular culture. It reveals the morbid humour of our inability to distinguish between the urgencies of personal achievement and climate crisis. It compresses sound and rhythm into paradox, and it conflates absurdity and emergency.
Mapping the continued encroachment of capital and virtual culture upon our psychic space, Interposition examines how, with each click, we are reconstituted online and sold back to ourselves, and asks: How do we uncouple our selves from our avatars?
Featured in the Publishers Weekly Spring 2026 Preview
From Kaie Kellough, poet, sound performer, and Griffin prize winner, comes a linguistic incursion into desire, technology, and the absurd.
Kaie Kellough (Magnetic Equator, Griffin Poetry Prize winner, 2020) returns with a long poem that repurposes the language of the present. Interposition borrows its vocabulary from the news, entertainment, war, advertising, technology, and the everyday tragedies of popular culture. It reveals the morbid humour of our inability to distinguish between the urgencies of personal achievement and climate crisis. It compresses sound and rhythm into paradox, and it conflates absurdity and emergency.
Mapping the continued encroachment of capital and virtual culture upon our psychic space, Interposition examines how, with each click, we are reconstituted online and sold back to ourselves, and asks: How do we uncouple our selves from our avatars?