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By: Sean Michaels
A Best Book of 2023 - Marie Claire, Inside Hook, Our Culture Magazine, WIRED
"[A] timely and lovely new novel." —Lincoln Michel, The New York Times Book Review
"A compassionate and lyrical portrait . . . Do You Remember Being Born? far outshines its peers." —Terry Nguyen, Boston Review
"Sean Michaels has already written the definitive novel about art in the age of AI." —Kate Knibbs, WIRED
Scotiabank Giller Prize winner Sean Michaels’s moving, innovative and deeply felt novel about an aging poet who agrees to collaborate with a Big Tech company’s poetry AI, named Charlotte
Marian Ffarmer is a world-renowned poet and a legend in the making—but only now, at 75 years old, is she beginning to believe in the security of her successes. Unfortunately, a poet’s accomplishments don’t necessarily translate to capital, and as her adult son struggles to buy his first home, her confidence in her choices begins to fray. Marian’s pristine life of mind—for which she’s sacrificed nearly all personal relationships, from romance to friendship to motherhood—has come at a cost.
Then comes a cryptic invitation from the Tech Company. Come to California, the invitation beckons, and write with a machine. The Company’s lucrative offer—for Marian to co-author a poem in a ‘historic partnership’ with their cutting-edge poetry bot, named Charlotte—chafes at everything she believes about artmaking as an individual pursuit . . . yet, it’s a second chance she can’t resist. And so to California she goes, a sell-out and a skeptic, for an encounter that will unsettle her life, her work and even her understanding of kinship.
Both a love letter to and interrogation of the nature of language, art, labor, capital, family, and community, Do You Remember Being Born? is Scotiabank Giller Prize winner Sean Michaels’s empathetic response to some of the most disquieting questions of our time—a defiant and joyful recognition that if we’re to survive meaningfully at all, creative legacy is to be reimagined and belonging to one’s art must mean, above all else, belonging to the world.
A Best Book of 2023 - Marie Claire, Inside Hook, Our Culture Magazine, WIRED
"[A] timely and lovely new novel." —Lincoln Michel, The New York Times Book Review
"A compassionate and lyrical portrait . . . Do You Remember Being Born? far outshines its peers." —Terry Nguyen, Boston Review
"Sean Michaels has already written the definitive novel about art in the age of AI." —Kate Knibbs, WIRED
Scotiabank Giller Prize winner Sean Michaels’s moving, innovative and deeply felt novel about an aging poet who agrees to collaborate with a Big Tech company’s poetry AI, named Charlotte
Marian Ffarmer is a world-renowned poet and a legend in the making—but only now, at 75 years old, is she beginning to believe in the security of her successes. Unfortunately, a poet’s accomplishments don’t necessarily translate to capital, and as her adult son struggles to buy his first home, her confidence in her choices begins to fray. Marian’s pristine life of mind—for which she’s sacrificed nearly all personal relationships, from romance to friendship to motherhood—has come at a cost.
Then comes a cryptic invitation from the Tech Company. Come to California, the invitation beckons, and write with a machine. The Company’s lucrative offer—for Marian to co-author a poem in a ‘historic partnership’ with their cutting-edge poetry bot, named Charlotte—chafes at everything she believes about artmaking as an individual pursuit . . . yet, it’s a second chance she can’t resist. And so to California she goes, a sell-out and a skeptic, for an encounter that will unsettle her life, her work and even her understanding of kinship.
Both a love letter to and interrogation of the nature of language, art, labor, capital, family, and community, Do You Remember Being Born? is Scotiabank Giller Prize winner Sean Michaels’s empathetic response to some of the most disquieting questions of our time—a defiant and joyful recognition that if we’re to survive meaningfully at all, creative legacy is to be reimagined and belonging to one’s art must mean, above all else, belonging to the world.
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