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By: Mike McCormack
The follow-up to Booker-listed literary sensation Solar Bones is a terse metaphysical thriller, named a most anticipated book of the year by The Guardian, The Irish Times, and The New Statesman.
Nealon returns from prison to his house in the West of Ireland to find it empty. No heat or light, no sign of his wife or child. It is as if the world has forgotten or erased him. Then he starts getting calls from a man who claims to know what's happened to his family-a man who'll tell Nealon all he needs to know in return for a single meeting.
In a hotel lobby, in the shadow of an unfolding terrorist attack, Nealon and the man embark on a conversation shot through with secrets and evasions, a verbal game of cat and mouse that leaps from Nealon's past and childhood to the motives driving a series of international crimes launched against "a world so wretched it can only be redeemed by an act of revenge." McCormack's existential noir is a terse and brooding exploration of the connections between rural Ireland and the globalized cruelties of the twentyfirst century. It is also an incisive portrait of a young and struggling family, and a ruthless interrogation of what we owe to those nearest to us, and to the world at large.
The follow-up to Booker-listed literary sensation Solar Bones is a terse metaphysical thriller, named a most anticipated book of the year by The Guardian, The Irish Times, and The New Statesman.
Nealon returns from prison to his house in the West of Ireland to find it empty. No heat or light, no sign of his wife or child. It is as if the world has forgotten or erased him. Then he starts getting calls from a man who claims to know what's happened to his family-a man who'll tell Nealon all he needs to know in return for a single meeting.
In a hotel lobby, in the shadow of an unfolding terrorist attack, Nealon and the man embark on a conversation shot through with secrets and evasions, a verbal game of cat and mouse that leaps from Nealon's past and childhood to the motives driving a series of international crimes launched against "a world so wretched it can only be redeemed by an act of revenge." McCormack's existential noir is a terse and brooding exploration of the connections between rural Ireland and the globalized cruelties of the twentyfirst century. It is also an incisive portrait of a young and struggling family, and a ruthless interrogation of what we owe to those nearest to us, and to the world at large.
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