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By: Miranda Lash, C. Ondine Chavoya, Jace Clayton
The first book on artist, musician, and DJ Eamon Ore-Giron who mines the complex nature of Latinx identity, the history of the Americas, and the many legacies of abstraction in art.
Over the course of his career, Eamon Ore-Giron has examined the personal and historical ramifications of cultural hybridity. Raised in Tucson, Ore-Giron is inspired by his roots in the American Southwest, his visits to his father’s hometown of Huancayo, Peru, and his time spent as a practicing artist in California and Mexico. This catalogue brings together for the first time three pivotal chapters in Ore-Giron’s career: his Southwest and Peruvian-inspired figurative works from the 2000s; his paintings from the 2010s that engaged elements of both figuration and abstraction, including an ongoing series focused on Mesoamerican deities; and the sublime gold-based paintings from his recent “Infinite Regress” series.
Curator Miranda Lash, along with celebrated scholars C. Ondine Chavoya and Jace Clayton, explore Ore-Giron’s approach to de-colonizing the medium of painting, his impact within in the Los Angeles art scene, and his seminal work as a DJ who highlights the intersections between North and South American sound.
The first book on artist, musician, and DJ Eamon Ore-Giron who mines the complex nature of Latinx identity, the history of the Americas, and the many legacies of abstraction in art.
Over the course of his career, Eamon Ore-Giron has examined the personal and historical ramifications of cultural hybridity. Raised in Tucson, Ore-Giron is inspired by his roots in the American Southwest, his visits to his father’s hometown of Huancayo, Peru, and his time spent as a practicing artist in California and Mexico. This catalogue brings together for the first time three pivotal chapters in Ore-Giron’s career: his Southwest and Peruvian-inspired figurative works from the 2000s; his paintings from the 2010s that engaged elements of both figuration and abstraction, including an ongoing series focused on Mesoamerican deities; and the sublime gold-based paintings from his recent “Infinite Regress” series.
Curator Miranda Lash, along with celebrated scholars C. Ondine Chavoya and Jace Clayton, explore Ore-Giron’s approach to de-colonizing the medium of painting, his impact within in the Los Angeles art scene, and his seminal work as a DJ who highlights the intersections between North and South American sound.
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